One
unique aspect of U.K. youth is its love affair with music. Styles
that have moved around the world were picked up by British youth
first. If British teenagers were dancing to the reggae rhythm
in the late sixties, then, apart from in its West Indian homeland,
nobody else was – it wasn’t until the Nineties that
reggae in any form found popular success in the United States.
Likewise, in decades later, obscure forms of music such as House
and Techno were taken from small clubs in Chicago and Detroit,
adapted to fit the British scene, and then resold to the world
to become global phenomenon’s – just as much as much
as the Rolling Stones and others adapted and then sold back the
Blues to an American audience in the Sixties and Seventies.
From the mid-Fifties to the mid-Eighties a succession of youth
movements was embraced by generations of youngsters – there
has not been an era for adolescence like it before or since.
The Fifties Teds were followed by Sixties Mods and Rockers, which
led into Hippies and Skinheads, and then in late Seventies Punks,
Rude Boys and revivals of all that had come before. All had their
own distinct style of dress and music, with associated degrees
of violence and drug taking.
They became, for those involved, obsessive ways of life that would
take up all spare time and wages. Interest usually started at
15 or 16 and would continue until their early twenties when commitment
to work and interest in girls became a bigger priority. Marriage
then very rarely happened later that 21 so there was an adolescence
gap before the expected obligation.
For the first time in modern history the youth had relative freedom
– both financially and morally. There was a gap –
the teenage gap – between leaving school and adult responsibility
and they would find themselves working but living at home with
parents and so with money to spend.
At the centre of this youth explosion both nationally and at various
times internationally, was London – it was from here that
many new styles and tastes developed and grew. This was partly
down to the white youth who embraced modernity with relish, but
also down to the influence of groups such as Jewish lads, Italians
and West Indian’s who were living and settled in the capital.
Harold Hill was a part of London – the ties between the
two areas were strong. Many of the young people still had friends
and family living further in, others worked or went to college
closer to the centre, while many enjoyed regular nights
out in the West End. The crossover of ideas and taste was a continuous
process.